By Ryan Howes - Art therapy can help people of all ages process and recover from trauma. In the following interview, Cathy Malchiodi, President of Art Therapy Without Borders, explains her approach and talks about the growing movement to treat returning combat veterans with art and expressive art therapy.

By Donald Altman - Perhaps the most important aspect of engaging your clients with practices and handouts is to listen to their feedback. What are the challenges? What is most helpful? How clear are your instructions? Here's a four-step approach to help your clients master practices used in session.

By Frank Pittman - Therapy, in order to shake people loose from their tragic stances and bounce them into the human comedy, is at its best when it is funny, when the tragic family story being acted out is rewritten to provide a happy ending. I urge therapists to keep these simple guidelines in mind as they go through their day.

By Bill O'Hanlon - The best way to ensure clients' cooperation is to make the assignments relevant for them. Task assignments are designed to bring about changes in the presenting problem. We try to make sure they are relevant to clients by having a mutually agreed upon definition of the problem being addressed and then collaboratively designing tasks that relate to it. In fact, when the tasks derive from a collaborative relationship, they often don't feel like tasks at all.

By Danie Beaulieu - Back in the routine of their daily lives, it's all too easy for our clients to return to old patterns without stopping to examine their actions and reactions in light of what they've recently learned. Fortunately, some creative memory techniques can reduce the need to repeat ourselves with our clients. Once you get used to them, you'll be amazed at how simply and effectively you can apply them.

By Bill O'Hanlon - People run into problems when their lives are dictated by rigid beliefs that make the stories they're living out too restrictive. Permission counters these commands and prohibitions. At the most basic level, we must discover how to perform the balancing act of simultaneously giving up the need to see clients change while holding open the possibility of change.

By Jay Efran - These days, I rarely hesitate to share my frank reactions with clients, most of whom, I have come to realize, are far hardier than we were taught to believe. If the setting is right, even brutal honesty can advance the therapeutic cause. Over the years, I have discovered a very handy therapeutic mantra to consider whenever the work bogs down, "When you find yourself stuck, try the truth."

By David Waters - I used to get very excited when I thought that clients were about to embark on what I called a project—a course of action that crystallized a problem into a unifying undertaking. But however valuable creativity can be in setting up the conditions in which transformation may take place, change itself requires repetition and commitment to altering habits.

By Robert Taibbi - In many ways, therapy resembles improv more than stand-up comedy, but that doesn’t mean that we can’t take a lesson from Louis C.K. and pay closer attention to not only what we say, but how we say it, ensuring that we, too, can maximize our impact, even if it’s on an audience of one.

By Steve Andreas - What if there were a few basic principles and methods that make therapeutic change far simpler and easier than most people think is possible? Not only is this possible, but there’s already a coherent body of knowledge and practice to guide us in eliciting change in the moment, confirmed by longer-term follow-up in the real world. Here are seven practical principles for making sense out of the case study that follows.