The Art of Therapeutic Conversation



In a memorable scene in Fiddler on the Roof, the main character, Tevye, pretends to have been awakened by a nightmare that he concocts to convince his wife to change her mind about who their daughter should marry. As he describes this "dream," dancers and singers act out the story, accompanied by a small band of strolling musicians. In the original Broadway production, this scene was always a crowd-pleaser. In the revival, however, Zero Mostel (as Tevye) found a way to turn it into a showstopper. In the new version, as he recounts his tale, the audience watches him become increasingly distracted by the deafening cymbal crashes of the nearby percussionist. Suddenly eyeing a solution, Tevye grabs for the nearest bed pillow and hurls it at the musician. It lodges between the cymbals just in time to stifle the next crash. This improvised bit of comedy elicited such howls of laughter from the audience that it was permanently incorporated into the show.

Such consummate pieces of stagecraft are the lifeblood of a theatrical production. However, because they develop organically out of the "conversation" of actor, role, and audience, they're virtually impossible to plan. (Mostel didn't "find" the pillow bit until he'd played Tevye hundreds of times.) For similar reasons, effective psychotherapy interventions can't be fully scripted in advance. Like Mostel's innovation, therapy's most effective moments are improvisations that arise out of the conversational flow between…

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