Getting It Right

Getting It Right

In HBO's In Treatment, Art Imitates Therapy

By Molly Layton

July/August 2008

I was into the sixth week, at five shows a week, of watching In Treatment, the HBO fictional series about a psychotherapist in the Washington, D.C., area, when one Monday morning in my own office I found myself—how to say this?—sitting in my chair like the therapist, Paul (played by a craggy, lean-faced Gabriel Byrne, Irish accent and all). Or maybe it was his supervisor, Gina (Dianne Wiest, looking both relaxed and regal). Something had happened to my posture: I'd straightened up, become more organized around the midline of the body. I guessed there was some imitative mirror-neuron thing at work, as if all those hours of watching other therapists, albeit fictional ones, had made me more aware of my own sitting. "Well, we don't often get to see ourselves quite so clearly," a friend explained.

I'd been talking with other therapists, following the blogs about the show, taking in the opinionated, antsy reactions: this intervention was wrong, that part was false, a therapist shouldn't do this or that, as if the show were a training tape from the American Psychological Association. As for myself, I watched it not with an eye to whether the series got the details of psychotherapy right, but whether it got being a therapist right.

In Treatment was originally the wildly popular Israeli series Betipul, and except for a few changes and some significant Americanizations, the HBO series matches it word for word. The idea was to…

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