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Friday, 02 January 2009 11:12

The Untold Story - Page 7

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CG: To me, it's ironic to pronounce feminism dead at the point in history when women's votes are determining the outcome of elections, when most American families no longer resemble the Dick-and-Jane patriarchal family, when more women are gaining an economic foothold, when feminism has opened a new conversation about domestic violence and sexual abuse, and when so many women worldwide have no effective voice and are living in poverty. I define feminism as the movement to end the contradiction between democracy and patriarchy, and I see us now as being in the midst of this struggle. Patriarchy means a hierarchy, a rule of priests in which the priest or hieros is father. It separates some men from other men, fathers from sons, and all men from women. Patriarchy isn't dead--look at who runs the Fortune 500 companies and Congress--but it's in trouble. Look at Enron and WorldCom, and the scandal in the Catholic Church and the FBI and CIA.

I say in my book that the most volatile moment in therapy is when people begin to envision the new. Then it's very tempting to turn back, because at least the old is familiar, "I love my neurosis, I know the whole script." So, given all the remarkable changes that began with the Civil Rights movement of the 1960s and have led to social and cultural shifts that are on the scale of the Protestant Reformation, it doesn't surprise me that we're now seeing something akin to the Counter-Reformation, and even the Inquisition.

PN: Let's go back 20 years to the publication of  In a Different Voice, which was for many people a landmark book that brought a feminist voice into the social sciences. How did it occur to you to write that book?

CG: At the time, I was in my thirties, had finished my Ph.D., and had no intention of going on in psychology. I was the mother of three small children, a member of a modern-dance troupe, an activist in the Civil Rights and the anti-war movements. My husband was a psychiatric resident and I taught part-time to make some money so I could have some help in the house. I had the opportunity to teach with Erik Erikson at Harvard in his course on the life cycle and then with Lawrence Kohlberg in his course on moral and political choice. In the course of teaching, I became interested in how people respond to actual situations of conflict and choice, and I started doing some research with a few graduate students, focusing on turning points in people's lives, times when the "I" surfaces around the question of "What do I want to do?" and morality comes into play around the question "What should I do?" I interviewed people and I listened for a first-person voice and also for moral language, words like should and ought and good and bad and right and wrong.

In 1975, we moved from Newton to Brookline, and I stayed home that year to help my three young sons settle into a new school and neighborhood. I was interviewing pregnant women who were considering abortion, and I remember sitting at my kitchen table reading over the interview transcripts and suddenly hearing a difference between the terms of the public abortion debate (right to life vs. right to choice) and the women's concerns about acting responsibly in relationships, because for many women, the abortion dilemma was a dilemma of relationship. Listening to these women, I heard a conception of self and of morality that differed from Erikson's and Kohlberg's theories.

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