The claim doesn't seem entirely exaggerated. Gilligan's work inspired a flood tide of research and scholarship in fields ranging from psychology to ethics, literature to law. Gilligan's research with girls following the publication of In a Different Voice similarly led to a wide range of educational, artistic, and cultural projects designed to encourage girls' voices and build on their psychological strengths. Primary and secondary schools throughout the country responded to Gilligan's call to help girls resist conventions of femininity that were psychologically and intellectually costly (conventions that required girls to be nice, to silence an honest voice, and suppress vital parts of themselves) by developing more girl-friendly curricula and teaching methods. She's often credited with being the spirit behind the 1994 Gender Equity in Education Act, which banned sex-role stereotyping and gender discrimination in the classroom. Her work also gave a big boost to the study of differences in the way men and women communicate, resulting in both serious scholarship and pop-psychology sensations like Deborah Tannen's You Just Don't Understand and John Gray's Men Are from Mars, Women Are from Venus.
Not surprisingly, as one of the few academics who also has become a popular superstar, Gilligan has come in for numerous honors. The first Graham Professor of Gender Studies at Harvard and a recipient of the prestigious Heinz award for her contributions to understanding the human condition, she also was named "Woman of the Year by Ms. Magazine in 1984, and one of "America's most influential people" by Time Magazine in 1996. In fact, Hollywood superstar Jane Fonda was so taken by Gilligan's work that she donated $12.5 million to Harvard in Gilligan's honor to create the Harvard Center for Gender and Education. The coauthor and editor of a series of books on gender and development over the past two decades, Gilligan initiated the Harvard Project on Women's Psychology and Girls' Development, a program called Strengthening Healthy Resistance and Courage in Girls, and retreats for women educators and therapists called "Women Teaching Girls/Girls Teaching Women." She also became artistic codirector of an all-woman theater company, The Company of Women, and founded the Harvard Project on Women's Psychology, Boys' Development and the Culture of Manhood. Recently, after nearly 35 years at Harvard, Gilligan moved to New York to become University Professor at New York University, where she's affiliated with the law school, the graduate school of arts and sciences, and the school of education.
In The Birth of Pleasure, her first solo-authored book since In a Different Voice, Gilligan shows how the tragic love story reflects a process of cultural initiation and is tied to an ancient agenda (think Abraham and Isaac, Agamemnon and Iphigenia) that even now is played out in the fears of connection that shadow the lives of men and women. Why, Gilligan asks--and sets out to answer--do we keep reliving this old story, generation after generation; why do we reinstate the contradiction between democracy and patriarchy that dates back to 5th-century Athens? Why are so many couples afraid to truly open themselves to each other? Why are there such walls of silence between men and women? Why do boys, at 4 or 5, begin to hide their vulnerability and cover up their feelings in order to become "real" boys? Why do girls, at 12 or 13, begin to conceal what they're really thinking, stop "seeing what they see, knowing what they know," and begin second-guessing themselves?
The short answer is that emotional truths and the ability to "say what we see, know what we know" go underground in the interests of the long-standing patriarchal order we call civilization. Gilligan defines feminism as the movement to end the age-old contradiction between democracy and patriarchy. Patriarchy, in her view, isn't a battle between the sexes but a system that constrains both men and women; literally, it means a rule of fathers, separating some men from other men, fathers from sons, men from women, thus "introducing hierarchy in the midst of our most intimate relationships, between parents and children, between lovers." The stifling constraints of patriarchy are passed on, generation to generation, and compromise our psychological development from early childhood, hobbling love, making pleasure dangerous, and enforcing taboos against truth-telling.